Posts in In the Loupe
Late Afternoon at Liljestrand

The Liljestrand House, on Tantalus Drive in Honolulu, is an outstanding example of architect Vladimir Ossipoff’s work and of mid-twentieth century Hawaiian modern architecture. His iconic design is known for seamless integration of building and site, clever management of views, and a creative mix of modern and natural materials.

While this house has been photographed by dozens of professionals and thousands of visitors, it was my aim to capture its timeless allure, accentuated by the later afternoon light and shadows that lead the viewer into the scene.

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Dr. Sen at 99

A native of Kyoto, Dr. Genshitsu Sen is the 15th-generation Grand Master (Iemoto) of Urasenke, which is one of the most widely-known schools of Japanese tea.

Attending a lecture at the University of Hawaii at Manoa, I was struck by the vitality of this gentleman, who was 99 years old at the time I photographed him.

He credits his health and longevity to a daily dose of green tea.

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Tyler

During a portraiture workship in Brooklyn last year, I was fortunate enough to spent a good part of it with Tyler, an extraordinarily photogenic young man. This image of him was my favorite; it’s that moment between poses —the pause—that somehow reveals a soul, in a quiet way.

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Waimanalo Gothic

The couple in “Waimanalo Gothic” are actually dear family friends.

When they told us they were engaged to be married, I jumped at the chance to memorialize this milestone. I love that their playfulness emerges without even a hint of a grin in this formal composition.

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Through the Window

I was photographing a ground blessing in the Papakōlea neighborhood for a new home to be built for a multi-generation family with the help of volunteers from Honolulu Habitat for Humanity. As I was packing up to leave the site, so was the family.

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In the LoupeHoward Wolff
Hitting Your Mark

Positioning myself at the top of a parking garage, I framed the shot and waited patiently for a passerby to hit his mark. The marks on the sidewalk and the converging lines of the curb cuts suggest that the subject is an actor on a stage, referencing the Hawaii Theater without identifying it by name.

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